October 11: “After the Dragonflies”

Dragonflies were as common as sunlight
hovering in their own days
backward forward and sideways
as though they were memory
now there are grown-ups hurrying
who never saw one
and do not know what they
are not seeing
the veins in a dragonfly’s wings
were made of light
the veins in the leaves knew them
and the flowing rivers
the dragonflies came out of the color of water
knowing their own way
when we appeared in their eyes
we were strangers
they took their light with them when they went
there will be no one to remember us

— W. S. Merwin

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October 2: “Faithful Forest”

1.

I will wait, said wood, and it did.
Ten years, a hundred, a thousand, a million—

It did not matter.  Time was not its measure,
Not its keeper, nor its master.

Wood was trees in those first days.
And when wood sang, it was leaves,

Which took flight and became birds.
2.

It is still forest here, the forest of used-to-be.
Its trees are the trees of memory.

Their branches—so many tongues, so many hands—
They still speak a story to those who will listen.

By only looking without listening, you will not hear the trees.
You will see only hard stone and flattened landscape,

But if you’re quiet, you will hear it.
3.

The leaves liked the wind, and went with it.
The trees grew more leaves, but wind took them all.

And then the bare trees were branches, which in their frenzy
Made people think of so many ideas—

Branches were lines on the paper of sky,
Drawing shapes on the shifting clouds

Until everyone agreed that they saw horses.
4.

Wood was also the keeper of fires.
So many people lived from what wood gave them.

The cousins of wood went so many places
Until almost nobody was left—that is the way

Of so many families.  But wood was steadfast
Even though it was hard from loneliness.  Still,

I will wait, said wood, and it did.

— Alberto Rios

September 17: “Against Nostalgia”

I supposed you have food there, too, but here it is summer
and we have asparagus, avocado, and stone fruit.
I am so happy.

The yard trees of my youth yield more fruit than we can handle.

I was going to bake chicken with cherries and apricot,
but already it is too hot. I can’t turn on the oven.

Sometimes I bite straight into plums.
Other times I slice them to serve on a platter.

Sometimes I want to move away
so I must remember everything I used to love: stone fruit and asparagus,
draughts of eucalyptus carried through the window on the wind.

— Camille T. Dungy

September 7: “Home Thoughts”

Oh something just now must be happening there!
That suddenly and quiveringly here,
Amid the city’s noises, I must think
Of mangoes leaning o’er the river’s brink,
And dexterous Davie climbing high above,
The gold fruits ebon-speckled to remove,
And toss them quickly in the tangled mass
Of wis-wis twisted round the guinea grass;
And Cyril coming through the bramble-track
A prize bunch of bananas on his back;
And Georgie–none could ever dive like him–
Throwing his scanty clothes off for a swim;
And schoolboys, from Bridge-tunnel going home,
Watching the waters downward dash and foam.
This is no daytime dream, there’s something in it,
Oh something’s happening there this very minute!

— Claude McKay

August 16: “The Day the Tree Fell Down”

crumbling. It died of old age,
I tell you, like a man. We wept.
We had worn our time upon it, put
our arms around to touch fingertips
and we measured ourselves, our feelings
on the years. We made our calculations
pay, then. Now, the fears, age,
daily mathematics. The tree held
the green. Birds, squirrels, coons
made memory there until the day it fell.
They got out. It groaned for twenty minutes.
I tell you, it sighed as it bent,
its branches catching the dull fall,
the soft turning in wet dissolution.
The body lay exposed: a gut of grubs,
a lust of hollowness. We wept,
as I say, more than it was called for.

— Jack LaZebnik

August 15: “For My Grandmother’s Perfume, Norell”

Because your generation didn’t wear perfume
but chose a scent—a signature—every day
you spritzed a powerhouse floral with top
notes of lavender and mandarin, a loud
smell one part Doris Day, that girl-next-door
who used Technicolor to find a way to laugh about
husbands screwing their secretaries over lunch,
the rest all Faye Dunaway, all high drama
extensions of nails and lashes, your hair a
a breezy fall of bangs, a stiletto entrance
that knew to walk sideways, hip first:
now watch a real lady descend the stairs.

Launched in 1968, Norell
was the 1950s tingling with the beginning
of Disco; Norell was a housewife tired of gospel,
mopping her house to Stevie Wonder instead.

You wore so much of it, tiny pockets
of your ghost lingered hours after you
were gone, and last month, I stalked
a woman wearing your scent through
the grocery so long I abandoned
my cart and went home. Fanny, tell me:
How can manufactured particles carry you
through the air? I always express what I see,
but it was no photo that
stopped and queased me to my knees.

After all these years, you were an invisible
trace, and in front of a tower of soup cans
I was a simple animal craving the deep memory
worn by a stranger oblivious of me. If I had courage,
the kind of fool I’d like to be,
I would have pressed my face to her small
shoulder, and with the sheer work of
two pink lungs, I would have breathed
enough to
conjure
you back
to me.

— Nickole Brown

August 6: “Route 684, Southbound Rest Stop”

So you see why it could not have been a more humble moment.
If there was any outward sign of regalia
It might have been the twilight crowning of the day, just then,
A perfect moment of dusk, but changing, as a wave does
Even as you admire it. Because the southbound stop
Mirrors the one northbound where we so often find ourselves
At the beginning, southbound’s return holds the memory
Of northbound’s setting-out, and the grassy median between
With its undisturbed trees defines an elusive strip of the present
Where no one lives. After twenty-eight years of the trip,
It’s like two beakers of colored water — one green, one blue —
Have poured themselves back and forth, because
On one side we are tinted by remembering the other.
But this aspect of the journey, at least, we know we will repeat.
As dusk cohered that moment — aquas, pinks, violets —
Just at that moment as I was returning to the car
A woman came the other way, her two young daughters
Holding her hands, and the gloaming sparkled around them
So that I froze, as they were backlit, starry,
They were the southbound reminder of who I had been beginning
The trip. She didn’t look like me, but what I did recognize
Was her clarity of purpose, in what Sharon Olds called
the days of great usefulness, making life as nice
As she could for them, always writing the best story,
And also, beneath her skin, living with delight as quiet
As the shoots anchoring grass beneath the earth.
I walked back to my car. My husband sat in the driver’s seat,
Our weekend’s luggage thrown in back.
Tell me we really had those girls, I said,
and that they held my hands like that. When I got home
I pictured her helping them each into bed — I knew it was
Later than she had hoped — then reading
Each section of the paper’s terrible news, finally alone.
— Jessica Greenbaum